About Me

Hello, my name is Robert Chapman. I am a first year student at Portland State University and I am majoring in Art Practices. This here blog is for Work Of Art FRINQ - Winter 2014 reading responses. A link below will take you back to my Tumblr page where my full portfolio (thus far) is located.

Thursday, 26 February 2015

Interpretive Themes by David Larson & Thinking ‘Bigger Than Me’ in the Liberal Arts by Steven Tepper – Response

Interpretive Themes by David Larson & Thinking ‘Bigger Than Me’ in the Liberal Arts by Steven Tepper – Response


I found both of these readings very insightful in different ways.  The reading on thinking “bigger than me” was interesting to me in the way that, coming from an art student, thinking at a different level (not only on myself) instantly made me think about the messages I am expressing in my art.  The quote, “(…)We can help students break with routine, get outside of themselves, and have “bigger than me” experiences” (Tepper B27).   Rather than being in a closed environment, shutting out new ideas, we could open up to new ideas and experiences; we are limiting ourselves as artists and human beings if we do not.  We are able to express ourselves more and share our ideas on a much greater scale when we can think about things beyond ourselves and critically look at and perceive the world around us.  This leads me to the next reading, Interpretive Themes, which I find is connected in many ways to BTM thinking.  I believe that the “bigger than me” thoughts lead to exploring and thinking about interpretive themes and the expression of an idea.  BTM thoughts seem to be an exploratory thought that can be found in the minds of curious and artistic individuals, but it takes articulated thought(s) and well thought out words to create an interpretive theme and present it in a way that is educated and succinct.  This is no way an easy task, but when it is skillfully created, the theme guides the reader or presenter to their next thoughts and outline universal concepts in works, art pieces, and reports.  Thus, the significance of the work is valid to a great majority of individuals and creates new frameworks of understanding.  

Monday, 16 February 2015

Museum Object Questions and Theme Ideas






William Trost Richards’ (American 1833-1905) Marine (1884) Oil On Canvas


Research a bit more before going to the library.


Questions:

  1. Who, What, When, Where, Why?
  2. What kind of themes can be explored in this image/painting?
  3. Why is the horizon line so absolute?  Wouldn’t it have a curvature?
  4. Calm before/after the storm?
  5. Is there a ship on the horizon (or something else)?
  6. Is the perspective from another boat or land?
  7. What time of day is it?
  8. What season/time of year is it?
  9. Is it the eye of the storm?
  10. Was this work done from direct observation or memory/interpretation?
  11. What is the focal point?  Where does the artist want us to look?
  12. Does it provoke a sense of longing?
  13. Why is the color palate so green? (vs. many blues etc…)
  14. Where is this place supposed to be?  Is it real?  Does it matter?
  15. How big is the object on the horizon (bigger or smaller than we think)?
  16. How far away is the object?
  17. Where is the position of the sun? (I guess that would depend on time of day too.)
  18. What motivated the artist?  (goes hand-in-hand with the themes and intentions of the artist.)
  19. What does the minimalistic nature of the painting add/take away from the tone/experience?
  20. Where are they going?  (if it is a boat)
  21. What body of water is this, or would it be?  What kind of body of water?
  22. Would this piece coincide with reasons as to why someone would be traveling across sea?War??

Themes:


  1. The notion of longing and traveling away.
  2. Water conservation(?)
  3. Types of travel, class system?  How different classes travel?
  4. Ambiguity, where are they going?  Find other mysterious travels paintings/images…
  5. Minimalism
  6. The sea
  7. Nature